Gibson epiphone dating maurizio 42 dating
Note: Custom shop guitars are not supported The Gibson Serial Number Decoder currently supports 6 formats from 4 Factories.
*) AC/DC version was available, sometimes known as EH-110. **) AC/DC version was available, sometimes known as EH-160 (one sample can be found in Aspen Pittman's book, 3-6C5, 4-26B6, 4-25Z5). ***) AC/DC version, known as EH-195 was also available GA-77 Vanguard: 12AY7, 12AX7, 12AU7, 2-6L6, 5V4 GA-70: 12AX7, 12AY7, 12AU7, 2-6L6, 5V4 GA-55: 2-12AY7, 6SC7, 2-6L6, 5V4 GA-45 Maestro: 2-5879, 6SQ7, 12AX7, 2-6V6, 5Y3 (essentially a GA-40 with bass & treble tone controls and different speaker configuration)GA-40 Les Paul: 2-5879, 12AX7, 6SQ7, 2-6V6, 5Y3 GA-30 Invader: 2-12AX7, 12AU7, 2-6V6, 5Y3 GA-20: 4-12AX7, 2-6V6, 5Y3 (correspond to Epiphone EA-25 Century) GA-20T: 5879, 12AY7, 12AX7, 6SQ7, 2-6V6, 5Y3 (correspond to Epiphone EA-25T Century) GA-15: 12AX7, 6SL7, 2-6V6, 5Y3GA-9: 6SJ7, 2-6V6, 5Y3 GA-8 Gibsonette: 12AX7, 2-6V6, 5Y3 GA-8T Gibsonette/Discoverer: 12AX7, 2-6BM8, 5Y3 GA-6: 12AY7, 6SL7, 2-6V6, 5Y3 GA-6 Lancer: 2-12AX7, 2-6V6, 5Y3 (identical to GA-14 Titan except for 12" speaker) GA-5 Skylark: 12AX7, 6V6, 5Y3GA-400 Super-400: 3-12AX7, 12AY7, 2-6BJ8, 2-6SK7, 6V6, 2-6550, GZ34 GA-200 Rhythm King: 2-12AX7, 12AY7, 2-6BJ8, 2-6SK7, 6V6, 2-6550, GZ34 GA-46T: 3-12AX7, 2-5879, 6SN7, 6V6, 2-6550, 5AR4 GA-85: 2-12AX7, 2-5881, 5V6, 5V4GA-100 Bass: 6EU7, 2-6BD6, 2-6FM8, 2-6L6, GZ34, 0A2 (correspond to Epiphone EA-70 Bass-Amp) GA-86 Ensemble: 2-12AX7, 2-5881, 6V6, GZ34 GA-80 Vari-Tone: 2-12AX7, 2-5879, 2-6L6, GZ34 GA-16T Viscount: 2-12AX7, 2-6V6, 5Y3 GA-14 Titan: 2-12AX7, 2-6V6, 5Y3 (identical to GA-6 Lancer except for 10" speaker, and Epiphone EA-30 Triumph)GA-83S Stereo-Vib: 4-12AX7, 12AU7, 3-6CG7, 4-6BQ5, GZ34 GA-88S Stereo-Twin: 3-12AX7, 4-6BQ5, GZ34 GA-87 Maestro Stereo: 3-12AX7, 4-6BQ5, GZ34 GA-78 & 79: 4-6EU7, 4-6BQ6 GA-79RVT Multi-Purpose: 3-6EU7, 7199, 12AU7, 4-6BQ5 GA-78RV Maestro 30: 3-6EU7, 7199, 12AU7, 4-6BQ5GA-1RT: 12AX7, 6BM8, 5Y3 GA-1RVT: 6EU7, 7199, 6BM8, 5Y3 (Aka Maestro M-1RVT) GA-2RT: 4-6EU7, 12AU7, 2-6V6, 5Y3 GA-77RV Vanguard: 3-6EU7, 1-12AU7, 2-6L6GC, 1-GZ34 (5AR4) GA-30RV Invader: 3-6EU7, 12AU7A, 2-6V6, 5Y3 GA-15RV: 3-6EU7, 12AU7, 2-6V6, 5Y3 GA-19RVT: 3-6EU7, 7199, 2-6V6, 5Y3GA-40T Les Paul: 3-6EU7, 12AU7, 2-7591, 5AR4 GA-60 Hercules: 2-6EU7, 2-7591, 5AR4 (correspond to Epiphone EA-65 Rivoli) GA-18T Explorer: 2-6EU7, 2-6BQ5, 6CA4 GA-8 Discoverer: 6EU7, 6C4, 2-6BQ5, 6CA4 (correspond to Epiphone EA-35 Devon) GA-8T Discoverer: 2-6EU7, 2-6BQ5, 6CA4 (correspond to Epiphone EA-35T Devon) GA-5 Skylark: 6EU7, 6C4, 2-6AQ5, 6X4 (correspond to Epiphone EA-50 Pacemaker) GA-5T Skylark: 2-6EU7, 2-6AQ5, 6X4 (correspond to Epiphone EA-50T Pacemaker) Courtesy of Allan Fredrickson.
GA-77RVT Vanguard: 4-6EU7, 12AU7, 7199, 2-6L6 GA-30RVT Invader: 4-6EU7, 12AU7, 2-7591, 5AR4 (most likely corresponding to Epiphone EA-12RVT Futura) GA-30RVT Invader: 4-6EU7, 2-12AU7, 2-7591, 0A2 GA-19RVT Falcon: 3-6EU7, 6C4, 2-6V6, 5Y3 (both brown and late black models correspond to Maestro M-216RVT and Epiphone EA-28RVT Pathfinder) Courtesy of Matt Lafferty and Jonathan Horne.
GA-19RVT Falcon: 3-6EU7, 7199, 2-6V6, 5Y3GA-77RET/RETL Vanguard: 3-6EU7, 2-12AU7, 6CG7 (6FQ7), 2-6L6, 0A2 GA-75 Recording: 2-6EU7, 6CG7 (6FQ7), 6C4, 2-6L6 GA-25RVT Hawk (Dated Oct '63 - only one tone-control): 4-6EU7, 12AU7, 2-6V6, 5Y3 GA-25RVT Hawk: 2-6EU7, 3-12AU7 (5814), 2-7591 GA-17RVT Scout: 2-6EU7, 12AX7, 2-6AQ5, 6CA4 (correspond to Epiphone EA-33RVT Galaxie)Titan: 3-6EU7, 2-12AU7, 6FQ7, 4-6L6, 0A2 (12AU7 splitter, 6FQ7 driver) Mercury: 6EU7 splitter, 6FQ7 driver and 2-6L6 output Titan I, III, V and Medalist: 3-6EU7, 2-12AU7, 6FQ7, 4-6L6, 0A2 (correspond to Epiphone EA-500T) Mercury I, II and Medalist (sloping sides): 2-6EU7, 6C4 and 1/2-6EU7 tremolo, 1/2-6EU7 splitter, 6FQ7 driver and 2-6L6 output, 0A2 Courtesy of James Black.
Between 1942-1945, Gibson employed women to manufacture guitars.
"Women produced nearly 25,000 guitars during World War II yet Gibson denied ever building instruments over this period," according to a 2013 history of the company.
In 1986, the company was acquired by its present owners. In 1936 Gibson introduced their first "Electric Spanish" model, the ES-150 followed by other electric instruments like steel guitars, banjos and mandolins.
For guitars made prior to 1977 use the extended search function.
(formerly Gibson Guitar Corp.) is an American manufacturer of guitars, other musical instruments, and consumer and professional electronics now based in Nashville, Tennessee. Gibson invented archtop guitars by constructing the same type of carved, arched tops used on violins.
The company was formerly known as Gibson Guitar Corp. By the 1930s, the company was also making flattop acoustic guitars, as well as one of the first commercially available hollow-body electric guitars, used and popularized by Charlie Christian.
This guitar, known as "The Log", was later shown to Gibson executives, who initially passed on the idea of building them, but they changed their mind within a couple of years and the Les Paul Model guitar as we know it today was first released in 1952.
These early "gold top" models were later joined by the black Les Paul Customs, and then the sunburst "Standards" of the late 1950s.
The second, third, and fourth numbers show on which day of that year the instrument was made.